November 13, 2019

IMPRESSIONIST PAINTINGS FROM BOTH SIDES OF THE ATLANTIC HIGHLIGHTED IN NEW EXHIBITION AT APPLETON MUSEUM OF ART

IMPRESSIONIST PAINTINGS FROM BOTH SIDES OF THE ATLANTIC HIGHLIGHTED IN NEW EXHIBITION AT APPLETON MUSEUM OF ART #art elite equestrian magazine
Richard Blossom Farley (American, 1875-1951), “Blue and Gold,” 1912, oil on canvas, 39 1/16 x 36 x 2 in. Museum Purchase, Reading Public Museum, Reading, Pennsylvania.

IMPRESSIONIST PAINTINGS FROM BOTH SIDES OF THE ATLANTIC HIGHLIGHTED IN NEW EXHIBITION AT Appleton Museum of Art

The Appleton Museum of Art, College of Central Florida, will present the exhibition “Across the Atlantic: American Impressionism Through the French Lens,” Nov. 2, 2019-Jan. 5, 2020.

This extraordinary exhibition, drawn mostly from the collection of the Reading Public Museum in Reading, Pennsylvania, explores the path to Impressionism through the 19th century in France. The show examines the sometimes complex relationship between French Impressionism of the 1870s and 1880s and the American interpretation of the style in the decades that followed.

IMPRESSIONIST PAINTINGS FROM BOTH SIDES OF THE ATLANTIC HIGHLIGHTED IN NEW EXHIBITION AT APPLETON MUSEUM OF ART #art elite equestrian magazine
Richard Blossom Farley (American, 1875-1951), “Blue and Gold,” 1912, oil on canvas, 39 1/16 x 36 x 2 in.
Museum Purchase, Reading Public Museum, Reading, Pennsylvania.

More than 65 paintings and works on paper help tell the story of the “new style” of painting that developed at the end of the 19th century — one that emphasized light and atmospheric conditions, rapid or loose brushstrokes, and a focus on brightly colored scenes from everyday life, including both urban and rural settings when artists preferred to paint outdoors and capture the changing effects of light during different times of day and seasons of the year.

“Across the Atlantic” will also feature works by artists whose paintings helped pave the pathway to Impressionism such as members of the Barbizon School including Jean-Baptiste-Camille Corot and Narcisse Diaz de la Peña. Other French painters whose techniques and subjects paralleled those of the Impressionists like Charles-François Daubigny, Leon-Augustin Lhermitte, and Jean-Charles Cazin will also be examined. Many of these artists practiced painting outdoors, en plein air, a new freedom that the commercial availability of tubed paint and portable easels afforded them.

Some of the key artists featured in the exhibition include Edgar Degas, Mary Cassatt, Victor Vignon, Albert Lebourg, among others, who exhibited in the official Impressionist exhibitions in Paris in the 1870s and 1880s. Although familiar and beloved by modern audiences in their own time, the Impressionists were thought of as a rather radical alternative to the traditions of academic painting. The progressive group of artists avoided the official, state-funded Salon in Paris and instead decided to exhibit their works in unconventional displays.

Among the earliest American artists to embrace the style were John Singer Sargent, William Merritt Chase, John Henry Twachtman, Willard Metcalf, Childe Hassam and Frank W. Benson, among others, whose works are included in the exhibition. American collectors and taste-makers were among the first to begin collecting Impressionist paintings.

IMPRESSIONIST PAINTINGS FROM BOTH SIDES OF THE ATLANTIC HIGHLIGHTED IN NEW EXHIBITION AT APPLETON MUSEUM OF ART #art elite equestrian magazine
John Singer Sargent (American, 1856-1925), “Man Reading (Nicola d’Inverno),” c. 1904-1908, oil on canvas, 32 7/8 x 30 x 1 3/4 in. Museum Purchase, Reading Public Museum, Reading, Pennsylvania.

A host of American artists, many of whom traveled to France around the turn of the century to continue their studies in fine art, embraced the style. Daniel Garber, Edward Redfield, Robert Spencer, Arthur Watson Sparks, Robert Lewis Reid, William Paxton, Chauncey Ryder, Frederick John Mulhaupt and Guy Wiggins, are highlighted.

The exhibition is sponsored in part by Marion Cultural Alliance, Fine Arts for Ocala, Florida Division of Cultural Affairs, Art Bridges and CAMPUS USA Credit Union.

Opening and Special Events

VIP Opening Reception and Talk

Friday, Nov. 1, 6-8 p.m.

Appleton Director’s Circle members are invited to a VIP reception, followed by a talk at 7 p.m. with exhibition curator Scott Schweigert, Reading Public Museum. RSVP is required. To RSVP or join the museum at the Director’s Circle level, contact Colleen Harper, harperc@cf.edu, or 352-291-4455, ext. 1831.

Exhibition Talk

Saturday, Nov. 2, 11 a.m.

Exhibition curator Scott Schweigert, Reading Public Museum, will give a free talk about the exhibition. This event is open to the public but does not include entry to the museum.

IMPRESSIONIST PAINTINGS FROM BOTH SIDES OF THE ATLANTIC HIGHLIGHTED IN NEW EXHIBITION AT APPLETON MUSEUM OF ART #art elite equestrian magazine
Arthur Watson Sparks (American, 1870-1919), “Quai St. Catherine, Martigue,” ca. 1910-1919, oil on board, 28 3/8 x 33 5/16 x 1 3/8 in. Museum Purchase, Reading Public Museum, Reading, Pennsylvania.

A Feast Under the Stars, Fundraiser Dinner

Saturday, Nov. 16, 6-9 p.m.

Travel back in time to the world of the Impressionists at this one-of-a-kind fine dining experience under a starry sky at the Appleton. Indulge your senses in the elegance of the scents, flavors and music of the 1890s in this authentically crafted multi-course formal dinner, complete with wine pairings and décor of the era. Black tie or era-inspired dress is encouraged. Tickets are $150 (individual) and $2,500 (table of eight). Tickets available at AppletonMuseum.org.

After Hours Concert Series: Marina Tucker, Imperial String Quartet

Thursday, Dec. 12, 5-8 p.m.

Enjoy a virtuoso string quartet made up of members of the Ocala Symphony Orchestra playing era-appropriate waltzes and other selections from the 1800s. $5 for Appleton members; $15 for nonmembers. Tickets available at: AppletonMuseum.org.

For additional exhibition-related programming and events, visit AppletonMuseum.org.

Owned and operated by the College of Central Florida, the Appleton Museum of Art is located at 4333 E. Silver Springs Blvd., Ocala, east of downtown on SR 40 (exit 352 east off I-75 or exit 268 west off I-95). Parking is free. For more information, call 352-291-4455 or visit AppletonMuseum.org.

Contact CF Director, Marketing, Public and Community Relations, Lois Brauckmuller at 352-854-2322, ext. 1374, brauckmL@cf.edu or Marketing and Public Relations Manager Tina Banner at 352-854-2322, ext. 1565, bannert@cf.edu. The Ocala Campus is located at 3001 S.W. College Road, Ocala, Fla. 34474-4415, 352-873-5800. The Citrus Campus is located at 3800 S. Lecanto Highway, Lecanto, Fla. 34461-9026, 352-746-6721. The Levy Campus is located at 15390 N.W. Highway 19, Chiefland, Fla. 32626, 352-493-9533. The Hampton Center is located at 1501 W. Silver Springs Blvd., Ocala, Fla. 34475-6456, 352-873-5881 and the Appleton Museum of Art, College of Central Florida, is located at 4333 E. Silver Springs Blvd., Ocala, Fla. 34470-5001, 352-291-4455. For additional information, visit College of Central Florida at www.CF.edu.

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